Updates on the website have been a bit slow as of late as I’ve been working on the thesis and portfolio for PhD submission – which is coming up soon! January and February saw a couple of premieres: Tearing as it is Woven by the Chamber Choir Ireland, Eloheinu by Mosaic Voices, Shards on a Beach by William Cole of the Ulster Orchestra, The Anguish of John Paton by Orlando Jopling of the London Symphony Orchestra, and a performance of Stutter and presentation with PANIC Music Ensemble down in Dublin. Three of my short anthems, Hinneni, If ye love me, and More than Gold were chosen as repertoire for this year’s London Festival of Contemporary Church Music Festival.
I was delighted to be selected as an Emerging Artist with the Belfast based organisation Moving On Music, who’ll be supporting me in 2020 for a variety of projects, including a collaboration on a new work with pianist Cahal Masterson. Several exciting upcoming performances: PANIC will be playing at the MUSLab 2020 International Festival of Electroacoustic Music at London’s Icklectik Art Lab on May 2nd, and my electronic piece Crossing the Firth will also be played. On April 9th, The Gesualdo Six will premiere my work The Blue Bird, setting the famous Mary Elizabeth Coleridge poem, at St. Ann’s, Dublin. Tickets are available here.
Next major thing is the PhD submission, and I’m working away at this year’s two major pieces: commissions for the National Concert Hall Dublin and the London Symphony Orchestra, so updates may be delayed for the next few months!
December was a busy month of performances, Altnagelvin Hospital Choir premiered Sparrows’ Anthem, Elmgrove Primary School Choir performed my carol Children the Wide World Over, and PANIC Music Ensemble performed two pieces at the CMC Ireland Christmas Concert – Circle Machines and Where I go, I hear the noise. Recordings of these performances can be heard below.
London based male voice choir Mosaic Voices have commissioned a new work for January 2020 setting a Hebrew text from their Shabbat service (they are the professional choir of New West End Synagogue). I travelled over at the end of November to meet the choir and their artistic director Michael Etherton to discuss the new piece.
In other news, I’m grateful to I care if you listen TV for hosting a video of Stutter on their site, which can be seen here. Chris Robert’s October performance of Hiraeth am nefoedd is now available on YouTube, thanks to Craig Jackson and the Broadcast Team at Queen’s University Belfast for documenting the concert.
October started with the Irish leg of Chris Robert’s Adra album tour, playing my piece Hiraeth am nefoedd in Limerick, Kilkenny, Belfast and Dublin. The piece was also broadcast on the Sound Out programme on Lyric FM. The album had its Irish launch at the Contemporary Music Centre in Dublin, with reflections from composer and guitarist Benjamin Dwyer, who gave the album an extremely positive review. PANIC Music Ensemble performed two of my pieces, Stutter and a new work, Where I go, I hear the noise in Maynooth University and Dublin City University Chapel – recordings below. We also filmed a short promo video for the ensemble, which can be seen on the PANIC page of my website. For November, I’m looking forward to working with the Jewish choir Mosaic Voices, who have commissioned me to write a new work in Hebrew for Holocaust Memorial Day 2020.
Book tickets for upcoming choral premiere of Sparrows’ Anthem at the Guildhall in Derry/Londonderry here. Concert December 14th, 25th anniversary of the Altnagelvin Hospital Choir.
A video of Esau’s Hunger for Double Guitar Orchestra & Electronics is now available on YouTube. Stunning light projections by Laurenz Theinert. Thank you to Tim Brady for conducting and Lukas Pearce and Michelle Elle for audio/film documentation.
YouTube of Vojtech Sembera’s new vocal project, featuring my piece Threads and Ribbons.
Back from a trip to Canada for the premiere of Esau’s Hungerfor double guitar orchestra & electronics, with a fantastic lighting projection arrangement by Laurenz Theinert. I also presented a paper about my writing for guitar at the 21C Guitar Festival in Ottawa. Recording/video will be available soon.
A project that has been in the works since last Christmas, I recently received a recording from Czech singer Vojtěch Šembera of my piece Threads & Ribbons. I’m grateful to Šembera for the amount of work he put in to this nuanced and detailed performance, and glad to be able to share it!
Finally, I’m pleased to announce two major projects I’ll be working on for 2020. The first is a new chamber work for the London Symphony Orchestra, featuring myself on guitar and written as part of the LSO Soundhub Scheme. Secondly, I am curating a programme for a chamber music concert for the National Concert Hall Dublin in 2020, as part of a series celebrating Beethoven’s anniversary. This includes a commission for the concert.
Adra is now available to order from Tŷ Cerdd. This album from Welsh guitarist Chris Roberts features new transcriptions of Welsh Harp music from the Robert ap Huw manuscript, along with my solo piece Hiraeth am Nefoedd, which Chris commissioned for the album – using these tunes as source material to create a piece in the style of Britten’s Nocturne. From September to October Chris is touring the album around the UK & Ireland.
Just returned from an enjoyable trip to Finland, where my piece Flickenfor chamber orchestra & film was premiered at the Avanti! Summer Sounds Festival. At the end of June, Vojtech Sembera recorded my solo baritone piece Threads and Ribbonsin the Czech Republic, and I look forward to sharing that recording when it is finished. More than Goldreceived its second performance in Belfast by the Cappella Caeciliana Choir at the start of June. The Chamber Choir Ireland workshopped my new choral work Tearing as it is Woven, which will premiere in the Autumn 2019. Chris Roberts premiered the solo guitar piece he commissioned, Hiraeth am Nefoedd, on June 30th, with another performance on July 6th. This piece which will be released on his album on July 25th, more news on that soon. Finally, I’m delighted to announce the publication of two of my choral works, Asphyxiateand The Blue Birdwith Cailino Music Publishers. These scores will be available soon at my composer’s page on their site.
New video available of my piece for PANIC Music Ensemble that premiered in April 2019 – Stutter.
Spent the majority of May working on three pieces for the summer – Flickenfor chamber orchestra and film to be performed in Porvoo, Finland, Esau’s Hunger for double guitar orchestra, electronics and light projections for performance at the 21C Guitar Festival in Ottawa, Canada, and finished my new choral work Tearing as it is Wovenfor the Chamber Choir Ireland and CMC Choral Sketches programme (premiere in Autumn 2019).
My big news was the release of my first published chapter in Annunciations: Sacred Music for the 21st Century, edited by George Corbett, which can be read for free at the link in the title. I contributed chapter 7.2 and 7.3, discussing sacred music in my output and the collaborative process which lead to the creation of Hinneni, the score for which is published in the book.
I spent some time in workshops with performers for the summer – Shards on a Beach for double bass and electronics with William Cole of the Ulster Orchestra, and Threads and Ribbonswith singer Vojtech Sembera, who will record the piece in the Czech Republic in early June. I was also delighted to have my pieceEzerselected by the Peridot Duo for a performance in the States in their 2019/20 programme. Crossing the Firth was also broadcast on the Radiophrenia Glasgow station on May 22nd.
Finally, I’m thrilled to be able to share a project that has taken 2 years to put together: my large work for solo viola The Testimony of John Paton, performed by Laura Sinnerton of the BBC National Orchestra of Wales and recorded in VR and ambisonic sound (kindly provided by Michael McKnight and Declan Keeney from Queen’s University, and funded by HMUK). You can watch below, headphones recommended, along with a VR headset if you have one available.
And keep an eye out for this upcoming release from guitarist Chris Roberts, which features my solo guitar piece Hiraeth am Nefoedd, more information in June on the release and the UK tour.
April contained some exciting premieres, and plenty of work for new projects coming up! I’m halfway through writing Flicken, a piece for chamber orchestra and film that will be premiered by the Avanti Chamber Orchestra in Porvoo, Finland on June 28th as part of the Savellyspaja composition course. I’m also working on a large piece for double guitar orchestra, electronics and projections for the 21C Guitar Conference in Ottawa, Canada at the end of August. I’ve been invited to give a paper on my writing for guitar at the conference while I’m attending.
Was delighted to find out (slightly belatedly) that my string quartet Enturfmentwas in the finals of the 14th Sun River Prize for Students’ New Music Composition Competition in Chengdu, P.R. China 2018. A good reminder that I need to keep track of where I send music and to check if my entry was successful…
Early April saw PANIC Music Ensemble’s second concert, this time focusing on new works for electroacoustic ensembles. Threads & Ribbons was performed for the second time, and my new piece for the ensemble, Stutter, was premiered. This was my first time writing for live electronics, and using graphic notation, and I’m very pleased with the results.
In May, Crossing the Firth will be broadcast on the Radiophrenia Glasgow station. Date of broadcast to be confirmed.